Tuesday, December 22, 2009

...on this winter's night with you



She and I never knew what we were supposed to be to one another.  We were friends from the first- meeting  through a common friend, finding each other in a common class, finding ourselves spending more and more time together.  We were easy friends- easy to talk with one another, easy to be quiet with one another. But it always felt like there was something else between us- deeper currents, maybe.  I never knew how I felt- when I finally did ask her out, she told me no- she didn't want to jeopardize our friendship.  Later, when she told me she felt something for me, she was half a world away.  Our relationship ebbed and flowed, sometimes one thing, sometimes another.  When she told me she was leaving, I found myself torn even more- I was by then in love with someone who loved me back- but she still held hold of part of me.  I said goodbye, for once with no other words to give her.  I remember listening to a tape she'd give to me, over and over.  We kept in touch through the mail, off and on, and I remember thinking, as I listened to that tape, that I knew how she truly felt.  I wrote her this long letter explaining how I felt, and how I knew how she felt.  Well, I was wrong.  I haven't heard from her since that last letter.  I think about her every so often- I wonder where she is, if she's happy, if she ever thinks of me... but I always think about her when I hear one particular song...

It was the middle of winter in State College.  We had made plans to go out that night, for dinner or something, and we found ourselves walking across campus.  It was later in the evening, and the snow was coming down- big fat flakes, drifting lazily down onto the walkways and grounds.  There was no wind, just the falling snow.  The whole campus was hushed, as though everyone had decided it was better to stay indoors. 

We walked across campus, just the two of us, and we talked.   We stopped to make snow angels- it was cold then, but we laughed so much it still felt warm.  We walked through campus, onto the streets of the homes near the university.  We walked under the streetlamps,the lights making halos of the falling snow.  Sometimes we walked arm in arm, sometimes we roamed back and forth across the streets, drifting in and out of each other's orbit.  We talked about things we'd never discussed before- some of it, I don't know if we'd ever talked about with anyone else.  I don't know if I'd ever felt closer to anyone before than I did that night.

I walked her back to her apartment.  We stood outside the door and kissed in the falling snow.  It wasn't a kiss of passion, or a kiss of love, or even just a kiss goodnight.  It felt like an unspoken acknowledgement that come what may, just this once, we both knew who we were to each other.  For a few short hours, we could be two people who had the whole world to themselves, and could just be with each other, on that winter's night.

The lamp is burnin' low upon my table top
The snow is softly fallin'
The air is still within the silence of my room
I hear your voice softly callin'


If I could only have you near
To breathe a sigh or two
I would be happy just to hold the hands I love
On this winter night with you


The smoke is rising in the shadows overhead
My glass is almost empty
I read again between the lines upon the page
The words of love you sent me


If I could know within my heart
That you were lonely too
I would be happy just to hold the hands I love
On this winter night with you


The fire is dying now, my lamp is growing dim
The shades of night are liftin'
The mornin' light steals across my windowpane
Where webs of snow are driftin'


If I could only have you near
To breathe a sigh or two
I would be happy just to hold the hands I love
And to be once again with with you

To be once again with with you

--"Song for a Winter's Night", Sarah McLachlan

Tuesday, December 15, 2009

From the Crypt v.2, Item 12: Somebody Called About the Cable?


8/21/93.


Nothing terribly clever to say this time around. Too tired. More of the typical work of the time, though it looks as though I was moving away from the super-detailed muscles and towards less overrendering... which I guess would just be rendering. Biggest thing I notice about this pic is that I had the patience and creativity to make up all the crap on Cable's body- none of that's really original to the character, I just thought it would make for a fun picture. Might've been some kind of backstory to it, but I can't remember anything.


Later.

...oh.  Before I go, I direct you to Library Card of the Damned, my new blog.  It's hopefully going to be me reviewing books, movies, and god knows what else.  Check it out if you want to know what I think about what I read, watch, listen to, and otherwise occupy my days with when I'm not thinking about how to get out of posting anything new here ;)


Music- "Powerpuff Girls Theme" (cause it's STUCK in my head...)

Friday, December 4, 2009

My New T-Shirt Idea



I thought this would make for a fun T-Shirt, or a Christmas Card.  Clever?  Or just silly?  YOU DECIDE!

Thursday, December 3, 2009


Undated; probably around November 1993.

Well, it's The Crow again.  This is hardly unfamiliar territory for the blog, right?  This time (or that time, when I drew it), I decided to approach the character slightly differently from past attempts.  This time around, I decided I'd focus on what was really the heart of the story, Eric and Shelly.  As you may or may not know, Eric comes back (or is brought back) from the dead to avenge his and Shelly's murders.  The effectiveness of the comic book comes from the numerous flashbacks to their relationship interspersed throughout the book.  So, while it's an all kinds of crazy revenge story, the book does a pretty fantastic job of highlighting just what they both lost. 

Also, when you're 19 years old, this kind of story just kills.

Anyway, the picture is something I'm actually quite pleased with.  Something a little different for me back then, I think the set up and layout of it works at least reasonably well.  I'd probably approach it differently now, but I like how it works.  Who knew?

Music: "I Am Stretched On Your Grave" - Dead Can Dance

Tuesday, December 1, 2009

From the Crypt v.2, Item 10: The Hell(raiser) You Say


11/7/93.

Let me get this out of the way now: I didn't draw this on black paper- I drew it just like every other drawing I did back then, and I just now reversed it. If black-and-white photos look better than color, white-on-black drawings look much cooler than black-on-white. At least, drawings of Cenobites do.

I was a big fan of Hellraiser back in the day. Mostly because of the stylized look of them- if Freddy and Jason were cool icons, here was a whole Manson family of characters to choose from. It was gory, it was sexy, it was clever- all the things guaranteed to appeal to young people of a certain age. And of course, if it appeals to a girl the young person likes, then so much the better excuse to draw. Not that I ever gave her the drawing- somehow a little far afield from the gift of flowers, right? But, you had to know her to appreciate that she was as likely to enjoy the drawing as she was the flowers. Ah, the good old days. (I didn't realize until sometime later that Hellraiser was essentially a treatise on sadomasochism. But really, is that the kind of thing you want a 19-year-old to know much about?)

Nothing fancy about the drawing itself- mostly adapted from pics I most likely found in Fango (Fangoria magazine to you not in the know), with what I believe are some adapted lines from the movie.

Music: "Christian Woman" - Type O Negative

P.S. Ask Joey sometime about the true Leviathan (the 'big bad' of Hellraiser II)

Sunday, November 29, 2009

Tryptophan Overdose

Sorry folks- due to an unexpected assault of tryptophan over the past few days, I won't be posting anything just yet.
Well, other than this.
Hope everyone had a good holiday weekend with whatever you got into. I have a couple ideas for various projects- like always, we'll see how far any of them get along.
Cheers!
PS- it is now acceptable to listen to Christmas music.

Tuesday, November 24, 2009

From the Crypt v.2, Item 9: The Devils I Know


7/1/93 (Happy Belated Birthday, Mark!)

Well, unintentionally, I'm continuing the theme of Hell and the Devil with this retro post from '93. It takes two of my then-favorite characters, Daredevil and Grendel, and puts them in a dynamic, but dangerous, confrontation.

As you can see, still going with the super-musculature here. Lots of blacks (Grendel's outfit is meant to be black, but it's pretty hard to show detail like that). For me, a pretty decent dynamic to the figures. I remember enjoying drawing this a lot- like I said, a lot more dynamic than most of the things I drew (then and now), and they were two of my favorite characters.

Most of you probably know who Daredevil is, from the mediocre (at best) Ben Affleck movie if nothing else. But to sum up: Blind Lawyer by day, Blind Vigilante by night. Grendel, however, is a bit more complex. The character of Grendel (in comics) first appeared in the guise of Hunter Rose, a millionaire playboy who dressed up in a stylish costume and went out into the night (sounds like Batman, right?). But in this instance, Grendel was the villain of the piece. In fact, he only lasted for one story; he was killed at the end of it. The story's title, Devil by the Deed, began to make 'Grendel' and 'Devil' synonymous. The character became a cult hit, and was revisited repeatedly, even showing a meeting with Batman, and eventually, Hunter Rose/Grendel became the driving force for the entire planet. Gone was the thief/murderer Hunter Rose; in his place was Grendel, the spirit of aggression. A large number of stories were told in this future world, and how the spirit of Grendel (more metaphorical than literal) affected every single part of the world. I've not revisted the Grendel universe in many a year; perhaps it would be worth another trip. I remember quite enjoying it back in the day.

Anyway, the picture: mostly, I just thought it was a nice opportunity to take two 'devil' characters and put them together. Plus, with Daredevil being a pretty close analogue to Batman, I thought it would work well. No story beyond that.

Happy Thanksgiving to all; I'll be back sometime next week.

Sunday, November 22, 2009

Hell and The Necromancer; my book report by Karloff's Ghost

I read two books in a row. One was called Hell by Robert Olen Butler and one was called Johannes Cabal, The Necromancer by Jonathan L. Howard. They were both about Hell, though I didn't plan to read them both in a row. I guess I should worry that I subconsciously chose two books in a row about Hell, but I won't. They were very different from each other, but were both very good.

Hell took place, unsurprisingly, in Hell. The main character is Hatcher McCord, the newscaster for Hell's evening news. Hell is not like most ideas of Hell we've seen in the past. There's fire and brimstone and acid storms, but it's a big city (Hell enough for some people) that runs just like a terrestrial big city. Hell is a lot more devious than lakes of fire. Hell is pretty subtle- doing things you know will not work, or will only disappoint you, but being compelled to try anyway in the hopes that, maybe this time, things will be different. Hope springs eternal in Hell, as does disappointment. Hell is populated with quite the array of guest stars: Humphrey Bogart, the Clintons, G.W. Bush, Hitler, even (though implied rather than stated) the author himself. And not just them- a number of surprising folks turn up. Some of the most interesting and thought-provoking parts of the novel are the descriptions of the sufferings of the famous. But, this isn't simply a 'Who's Who' of the damned. When Hatcher learns there may be a way out of Hell, he begins a journey that takes him from one end of Hell to another, and a journey through the ideas of personal pain and suffering, human connections, free will, and the possibility of redemption.

It's not light reading, by any means- though the language is hardly florid, the directions Butler takes with his characters, often veering off into stream-of-consciousness internal monologues on the suffering of the damned, can take you out of the 'plot'. However, these side trips into their suffering are really an integral part of the meaning of the book. Some of these moments, especially when revisiting the damned, make for some of the most emotional moments of the book. By the time the novel ends, you have traveled nearly as far as Hatcher has, and the ending hits the reader profoundly, all the moreso for its understated nature. Its impact is only reinforced as you look back across the events of the novel. I found myself repeatedly thinking about the novel after I'd finished it, wondering at the deeper meanings of some of the events. It has been said that Hell is other people, but after reading this novel, I believe that the author, at least, thinks that Redemption might be other people, as well.


Johannes Cabal The Necromancer does not take place in Hell. Or at least, not entirely. Most of the story takes place in a carnival. Which could be like Hell for some folks. Especially those not liking clowns. I'm not really sure how best to describe the story- though the plot is pretty straightforward: Man sells soul to the devil in order to discover the secrets of life after death, decides that wasn't the best way to learn, then renegotiates his contract, trading one hundred freely-given souls in one year's time for his own back. And he has to collect them using a carnival. It takes places in an unspecific time and place- I was convinced it took place in Victorian England, until they started referring to things like radio and genetics. it's somewhat reminiscent of the mysterious European country that so many of the Universal monster movies took place in- filled with superstitious villagers alongside modern technology.

I found myself often rooting for Cabal, then realizing he was still collecting the signatures of people to send them to Hell. Hardly a typical good guy. In fact, there's very little immediately likable about him- he's not only soulless, but pretty much amoral as well. However, he's very good at what he does, and his determination and unflappability in the face of Satan himself, help to make him a more sympathetic lead. The whole book is written in a quirky, slightly off-center way that's become very popular in recent years. I found it very reminiscent of Neil Gaiman and Terry Pratchett's Good Omens, or the movie version of Big Fish, though with a bit drier sense of humor. The novel is populated with an interesting array of characters, not least among them Cabal's business partner. The novel itself, once it gets rolling (so to speak; it's a carnival that travels by train), unfolds in a series of vignettes at each stop along the rail. Each stop brings some new challenge to Cabal's plan, or to Cabal himself. It's not meant to be as philosophically engaging as Hell, but is quite enjoyable as an above-average supernatural humor/adventure story- one that also deals with ideas like suffering, human connections, and the possibility of redemption.

Those were the books I read. I would recommend them to anyone who likes to read and isn't afraid of the Devil or Hell or laughing or thinking or all of the above. I do not recommend reading them both in a row, or letting people know you are reading books about Hell- they might wonder what's going on in your mind. Or not, if they know you well. Thank you.

Tuesday, November 17, 2009

The Burgh n'@

Not misspelled, spelled the way a Pittsburgher says it. I love my hometown.


And, I just really liked this. It was about 70 that day.


More later. Probably about Hell, but maybe something artsy. We'll see. Cheers!

Music: "My Hometown" - Bruce Springsteen

Thursday, November 12, 2009

From the Crypt v.2, Item 8: Devil May Care


6/29/93.

Back to the past, as it were. This one was still in that super-muscled phase I went through back then, but at this point I was starting to come into my own by making it a little more stylized. Daredevil was a long-standing favorite character of mine, and it was a nice change to do something slightly more action-oriented (for me), while still giving a somewhat iconic pose. Of course, there're tons wrong with the picture (anatomy, still not a strong suit), but I was pleased enough with it. I liked using the other inks to make 'highlights' of the picture, and this was more shading (fake though it was) than I normally used. It was a bit of a different picture than I was used to, but I still like it.

Probably nothing to post next Monday. It's been quite the week thus far, and with friends coming in from out of town this weekend, I'll most likely not get a chance to prep anything Sunday. So, see you Wednesday.

Music: "Devil Inside" - INXS

Tuesday, November 10, 2009

The Remembrance Table


This Table set for one is small -- Symbolizing the frailty of one prisoner alone against his oppressors. Remember!

The Tablecloth is white -- Symbolizing the purity of their intentions to respond to their country's call to arms. Remember!

The single Red Rose displayed in a vase reminds us of the families and loved ones of our comrades-in-arms who keep the faith awaiting their return. Remember!

The Red Ribbon tied so prominently on the vase is reminiscent of the red ribbon worn upon the lapel and breasts of thousands who bear witness to their unyielding determination to demand a proper accounting of our missing. Remember!

The Candle, the candle is lit -- Symbolizing the upward reach of their unconquerable spirit. Remember!

A Slice of Lemon is on the bread plate to remind us of their bitter fate. Remember!

There is Salt upon the bread plate -- Symbolic of the families' tears as they wait. Remember!

The Glass is inverted -- They cannot toast with us this night. Remember!

The Chair -- The chair is empty. They are not here. Remember!

Remember! -- All of you who served with them and called them comrades, who depended upon their might and aid, and relied upon them, for surely, they have not forsaken you. Remember!

Remember! -- Until the day they come home, Remember!


--Larry H. Tassone, USAF (Ret)


Today is a day to honor all veterans, but I thought it would be an especially appropriate time to post this picture, taken this past Memorial Day at the Plum Legion. I'd never seen this tableau before- I've been to more than one Memorial Day tribute, but this was new to me. The solemnity and reverence with which the men of the Post attended to this table, and to the reading of the above, truly touched me- all the more remarkable given I was there for a ceremony honoring my father, as well as all those members who passed on over the past year.

So often, when I think about all those men and women who have served America, I think about all the ones who died, fighting for their Country, or their Family, or just the Soldier next to him. Or I think about those who lived, and came back to their Country, and to their Family, and to their fellow Soldiers.

Not often enough do I think of those soldiers lost to us- those Missing in Action, unable to come home to their Country, to their Family, to their fellow Soldier; and the Prisoners of War, who sometimes do come home, but are always haunted and marked by their time kept away from their Country, their Family, their fellow Soldiers.

So please, think about them all- think of the veterans living, deceased, and lost...

Think.

And Remember.

Wednesday, October 28, 2009

From The Crypt Halloween, 4: The Other Monster Squad


10/6/89. At least this one was started around Halloween time.

Not much to say about this one- my favorite monsters, in color! My sister had gotten me colored pencils for Christmas past, so I was trying to put them to use. Not much to say about this one, other than I don't know why the Mummy appears to be floating, and for whatever reason I always remember drawing Dracula like that- Bela's outfit, but completely different face. There's a reason I drew that face, but I can't remember what it is. So there you go.

I'm tired.

See you tomorrow.

Music: "Monster Mash" - Bobby 'Boris' Pickett

Tuesday, October 27, 2009

From The Crypt Halloween, 3: Horror's Hero


7/24/90.

Not quite a horror monster, Darkman was nonetheless a horror fan's dream. Imagine a superhero movie done by Evil Dead's Sam Raimi... oh wait, that was Spider-Man. Well, go back twelve years or so and you'll see Raimi's first superhero movie. Coming out a year after Tim Burton took the 'comic' out of 'comic books' and redefined the superhero movie, Darkman was an early successor to that grim and gritty, super-stylized movie, channeled through the mind of Sam Raimi. Starring a pre-Qui-Gon Liam Neeson, it failed to make much of an impact at the box office- but made quite the impact on little film and movie geeks everywhere. I remember loving the bombast and insanity of it all- one of the bad guys had a machine gun built into his prosthetic leg!- as well as the drama and pathos of the poor, disfigured scientist who can no longer feel anything but rage... plus he's got a face that melts every 99 minutes! I haven't seen it since the early 90's, so I have no idea how it holds up. I would hope it's another good example of Prime Sam. I found a few pictures of Darkman- I might post another one for your viewing amusement later this week.

Oh- although it didn't do well at the box office, the filmmakers knew just how to hit up the geek market: They made two follow up films that were direct-to-video, starring Arnold Vosloo (that guy from The Mummy)- probably because he was cheap and bald, which makes for less money on bald caps. I never saw them, so I can't speak for their filmic value. Might be worth watching, yes?

Music: "Theme from Darkman" - Danny Elfman

Monday, October 26, 2009

From The Crypt Halloween, 2: First Cuts


12/20/89. Cause, you know, nothing says 'Christmas' like Freddy Krueger. Nightmare Before Christmas, indeed.

Looking back at these old pictures, I've come across a number of Freddy Krueger drawings. Now, before you decide I need medical attention (or reaffirm your initial opinion), let's take a look at another thought in play here. Essentially, Freddy Krueger, star of some hard-R movies, had by this time become a superhero. Okay, supervillain, to be precise, but hardly a horror movie monster. Sure, he killed kids in their sleep and terrorized a generation of teens, but let's take a closer look. Horribly damaged as a young man? Check. Virtually impossible to kill? Check. Long metal claws? Check.

He's not a monster.

He's Wolverine.

Alright, a bit of a stretch there. But, hopefully you take my meaning. By this point, the late 80's, the horror of Freddy (not even sleep is safe) had been replaced by a joking, nearly cartoon image of the original- the later episodes were practically action movies with more blood and makeup effects. Where had all the horror icons gone?

Looking at this pic, evidently Freddy took them out. I forget where I'd first heard the mention of a team-up between Freddy and Jason (one of those fanboy dreams that never, EVER live up to the hype), but this was a little idea that I put down on paper. I never did see the movie. I'm betting whatever I was thinking here was probably better than what made it to film.

Music: "One, Two Freddy's Coming For You"

Sunday, October 25, 2009

From The Crypt Halloween, 1: We Still Belong Dead


8/20/90.

At my Mom's this past weekend, I came across a huge collection of my old drawings. Instead of shuffling them to the bottom of whatever box they came out of like usual, I decided to bring them with me and look through them again, just to see if I've made any progress since then. I thought if nothing else, I could maybe find some choice ones and post them, just to show how bad I used to be way back in the day. Funnily enough, I ended up coming across a bunch of Halloween-themed (or genre-related, at least) pics and thought, since I didn't have anything new to post for Halloween, and I've been running old pics already, I could combine those two and post these REALLY old pics. Not even from the crypt so much as the old burial mound... But, there will be, with luck, a post for each night this week. Rejoice!

So this first one, I hope you can see, is Frankenstein's Monster and his Bride. This pic looks like it was influenced by an old photo or scene from the movie (the poses feel familiar) but I don't think it was a direct drawing of a photo. As you can see, I was a fan of the Universal Monsters going back quite a ways. Not much to say about this picture, though looking at the green ink, it reminds me of the time I spent drawing, then using the different color ink pens to ink the drawings instead of just plain coloring them. And, if you look at the Bride and squint really hard, she kind of looks like Madeline Kahn.

More tomorrow.

Music: "Tubular Bells" - Halloween Soundtrack

Tuesday, October 20, 2009

From the Crypt v.2, Item 7: Hell's Highway


June 7, 2009.

This one is pretty easy to describe. Much like my long-ago posting of 'breed', this one is directly inspired by a song. In this case, Ministry's "Hero". I was a huge fan of Ministry and Nine Inch Nails back in the day- nothing like some industrial music to get the outrage flowing. I'm not as much into it now- I guess my tastes have just changed a lot (go ahead, say it- I've gotten old :)- but my tastes have always changed. It's still fun to listen to every now and again, or better yet, catch on the radio.

But, this is just what came to my head when I would listen to the song. Also, it's inspired in large part by a story from 'Heavy Metal' called... "Friday", I think? About a clone trooper who doesn't think just like all his fellow clones. Wish I could remember the exact name.

And there you go.

Probably not going to post anything for this Friday, but you never know.

Music: "Hero" - Ministry (what, did you expect something else?)

Sunday, October 18, 2009

From the Crypt v.2, Item 6: Snickity Swipe


May 1, 1993.

Well, we're back to the old stuff. Which is good, as I don't have any new stuff to post yet. Things have been quite... tiring here. Life is busy. But it'll do that.

This is Wolverine, obviously. Or I hope obviously. Couldn't get enough of the little runt back in the day. Now... eh. Don't get me wrong- I like the character well enough, but it's hard to buy into the character anymore when he's probably as ubiquitous as Spider-Man anymore. For Kirby's sake, he's on a cartoon for little kids! You know, the guy with foot-long metal claws who kills people? Little bit odd, that.

But I digress. This particular picture is known as, in the parlance of the industry, a 'swipe'. A swipe is when one artist uses another artist's work- usually a pose, but can go so far as to copy the actual style or composition. Often done without acknowledging the shoulders upon which they stand. If they do make the proper sounds (usually "-name-, after Kirby" for example), the swipe is known as an homage. Splitting hairs, but then that's what fandom does best. Let's see- using my profound geek memory, as I recall this is a swipe of Liam Sharp's Death's Head II, probably from one of the early issues. But considerably less detailed than Mr. Sharp's work. The original drawing was a character called, surprisingly, Death's Head II. I at least did the work to make it look like someone different.

'Swiping' is a big deal nowadays in the industry, what with the ready availability of photo references online. There's one artist who is almost as well-known for his swiping photo references as he is for his drawing ability. I remember his earliest work- honestly, it was better then than it is now, but I know I'm a minority opinion. He's gotten so bad, in the most recent issue of the book he shares art chores on, he swiped a different artist and 'drew' the exact same character in the exact same way- but the artist he ripped off is an amazingly different style of artist. Shame, shame! Swiping is something many artists do at one time or another, and it's difficult to say where using photo reference ends and swiping begins, and I'm probably not one to make that call. I've done it in the past- especially in terms of posing and so on- but then again, I'm not being paid for it. Oh well, as long as someone is paying for the work, artists will continue doing it.

Okay, off the soapbox.

Enjoy the day!

In other news, I think I figured out what to go as for Halloween. My only problem now is finding all of the things I need. You'd think Gothic stuff would be more in now, but you'd be wrong. Or perhaps over the age of 17 and shopping somewhere other than Hot Topic.

Also, I went to my first Haunted House in well over 20 years. I had a lot of fun, but I came to the realization that I should've been going for at least the past 10 years. I walked in and started figuring out what the gags would be, where the surprises were coming from, how they did the gags, and what music they were using. I enjoyed it, but if I were younger, or less jaded, I wouldn't be so interested in the how of it and just enjoy the spectacle. Still, I'm hoping to go to another one this weekend.

Music: "Terrible Lie" - Nine Inch Nails

Thursday, October 15, 2009

Toes in the Water

Well, another Columbus Day has passed, and so has another trip to Chincoteague Island, VA, with my friends. This house was the biggest yet rented (and probably the biggest house we will ever rent- it's the biggest on the island!) and filled with much happiness and good food. Here are some sights from the trip:


The Chincoteague Lighthouse. We visit the island every year, and this is the first I've been to the lighthouse in... a long time. Didn't go inside, but I'm old now and have trouble with all the steps.



Here's a lovely view from the back of the house. In spite of the weather forecasters' doom and gloom, it was all in all a great weekend.



Yeah, that's right. The house had an ELEVATOR! aka, kids'-attention-getter. Okay, I rode it twice.

That's all for now. I'm feeling a bit under the weather, so there most likely won't be a post Friday, but I'll be back Monday. Oh- extra credit to anyone who has a suggestion for a Halloween costume for me.

Music: "Toes" - Zac Brown Band

Sunday, October 4, 2009

ReVision and Milestone


10/4/09.

This marks my 200th post. Since Joey's been telling me to revisit my old work in order to try and jumpstart my mostly stalled creative inclinations, and since I knew this 'milestone' was coming up, I thought I'd combine those two ideas and went back to my first 'retro' post, which is also the one of the oldest pieces of 'modern' art I can find (I have older stuff, but I won't punish you like that; and I have larger art from high school, but it won't scan). In case you've forgotten, that original post was the start of a design for a banner meant to be presented at the Pittsburgh Arts Festival (or whatever it's called). My idea was to do a banner with an angel and demon, as gargoyles/statues, over the Pittsburgh skyline. Really, that was the plan. If you look back to it , it's kind of hard to see any of that. Ah well, I was young and lazy, not to mention I just didn't have the skill to draw it back then.

Cut to 15 years later. Okay, I'm still lazy, and my skills are sometimes questionable, but I've had 15 years of experience figuring out how to draw things (and finding the reference to allow me to draw things)- not to mention the fact that my imagination works differently now. The biggest difference, strangely enough, is the simplest difference: I bought a drafting table. So, I have a dedicated workspace now- no more drawing on the TV tray (well, until there's something good on). But, by buying that table, it gave me a focus and motivation to actually work on drawing again. Damned if it didn't work. I'm hoping it will continue; but if it doesn't, it won't be for lack of trying.

To those of you who've kept coming back post after post, either quickly cruising through or reading every single rambling, over-punctuated sentence, I thank you. This has been a pleasure, a burden, a pressure, and a reward, and I'm glad to have shared it with you. I plan on posting here for as long as I feel like I've got something to post... and even when I don't feel like it, I'll try to keep on going. It'll be back to the old school with the next post (next week; Chinco is this week!), but I plan on following it up with more new work.

The process is not yet finished
But it is going on;
This is not the end,
But it is the road
-Martin Luther


Cheers!

(oh, by the way, the 'hint' from last week referred to the song 'Double Agent' and the line "my angels and my demons at war"- obscure even for me, but it's my blog so there)

Music: "Doomsday" - Murray Gold