Showing posts with label flash gordon. Show all posts
Showing posts with label flash gordon. Show all posts

Thursday, January 3, 2008

"... before ANNIHILATION!!!"

Sadly enough, my first exposure to the actor Max von Sydow was through Flash Gordon as Ming the Merciless. Not that his performance was bad; he played the character wonderfully, and seriously (or as seriously as the movie was; I'm pretty sure he was having fun playing such an over-the-top villain). But to me, ever since then it's always been "hey, Ming's in another movie!" Not like he needs to worry about typecasting, I think. He's been in everything from The Seventh Seal, where he beats Death in a game (take THAT, Bill and Ted!) to Strange Brew to What Dreams May Come, and just about all points in between. Every movie I've seen him in has been just a little bit better, because he was in it.

He must be a pretty decent actor; he left me with such a strong impression that, 28 years later, whenever I think of the character of Ming, I think of Max von Sydow. So, here you go. This was one of the times when the movie stayed very close to the original design of the character, with one exception. As originally drawn, Ming was a very obvious "Yellow Peril" caricature. By using von Sydow, they took the character about as far from that image as possible. Anyway, I stuck with what worked. Not much of a deviation from the movie design, but I always kinda liked it. I did, however, take it back into a more Asian-influenced look; nothing specifically, but the lines and "detail" are meant to hint at that. Oh yeah, that and the big damn yellow claw hand. That's definitely a throwback to the "Yellow Peril" figure that used to be in old comics, but I thought the hand would be an effective symbol of how "Merciless" Ming was.
I think he and Dracula have similar tailors...

Alright- time for the weekend! These 4-day workweeks are rough.
Music: "Sour Times" - Portishead

Tuesday, January 1, 2008

Flash at Last!


Happy New Year!!! What better way to start off the new year by revisiting some left over business from last year.

When we last left Flash Gordon, he had been forced through a series of changes in a quest to fit the ideas of an internet blogger's dream of creating the ultimate Flash Gordon homage. He had been taken from 80's camp action hero to retro 40's comic strip icon to an overweight man in lycra. What new terror has befallen our would-be hero? Keep reading...

Alright. If you're gonna read, you might as well read the whole thing. Art first. So, after trying to fit my idea of "Flash" into what's gone before (attempts one and two), and hitting close to my idea of what I wanted to do with the him from a character level(attempt 3), I shelved the idea for a while, until I went back to the 'burgh for Thanksgiving. One of the great things about driving back to PA is it gives me time to think. Okay, if you know me, you know that's not always a good thing. But a lot of times it gives me the chance to think about fun stuff like movies, comics, books, and drawing- usually some combination of all of them. On this drive back, it finally occurred to me to ditch everything I'd done before and strike off in a new direction. Well, actually an old direction. See, I knew what kind of story arc I wanted Flash to have, and I knew exactly what kind of story I wanted to see this Flash in (I'll get to that shortly, promise). But until that drive, I didn't know what he should really look like. Then it hit me. I took his look back to the 30's and 40's, but not the comic strip. I pulled from the pulp heroes of the day- Doc Savage, G-8, John Carter of Mars, et cetera, and threw in a hefty dose of retro-futurism. The future, according to the past. Canvas and brass instead of rubber and steel, or plastic and polycarbonate. Bingo. At last, I had a hero that would fit right in with the craziness I had in mind. The drawing pretty much came out fully-formed from my initial imagining of this new Flash. Once I decided he would have a space helmet with a fancy-looking collar (note the bit attached to the upper right of the lightning bolt speakerbox; that's an O2 gauge for the wearer), the rest kinda just spilled out. The lines are a bit harder than what I sometimes do; this usually happens when I'm juiced about getting something out of my head and onto the paper.

Okay, okay- all the rest of this entry is about my ideas for the story, and Flash's character. You can stop reading now and just check out the new poll on the right. Of course it's about Flash, but at least you're saving yourself eye strain.

Still here? Thanks.

See, my brilliant idea for what direction to take the plot of Flash Gordon really isn't anything fancy. In fact, it's about as basic as it gets. Take the lyrics for the song... and make them the story. Brilliant, right?

What do you mean, 'no'? My thought is, so many of these updatings of old movies and comics and characters either turn into cynical and dark reflections of the original premise, or worse yet, play on the concept for laughs and high camp value. So I thought, screw that- what's wrong with having a hero who's not jaded, who's not a goofball? What's wrong with having a story that's fun, thrilling, and exciting, and isn't either played for laughs or made to satisfy the audience's bloodlust? So, that's where I'm going with the story. I want Flash Gordon to be the kind of story everyone can get into. Why the Queen song, then? Well, the lines they use are so bombastic, so over-the-top, they play perfectly towards this idea of... a 'pure' action story- if that makes sense. It probably doesn't, but you're still reading, right? I mean, check it out:

"Saviour of the Universe"- that's a pretty tall order to fill. But nothing builds heroism like adversity, right?

"He'll save every one of us"- another Everest-sized task; but, what if he did?

"King of the Impossible"- well if he can save the universe, and everyone, he'd pretty much have to be the King of the impossible.

So the idea would be to essentially make these lines the central theme of the story (movie, really, that's how I'm thinking of it). What if there was a story where the entire universe was at stake, trillions of lives hanging in the balance, and one man rose to meet that challenge?

Yeah, I know; even I think it's crazy. I imagine it being some insane conglomeration of "The Incredibles" plus "Sky Captain" plus "Star Wars". It sounds nuts, I know... But it'd be a hell of a movie.

Alright, still awake? That was my idea for the conceit of the movie, and the basic direction I'd take it. Flash himself ended up being a little more... complex. With the story's idea being so straightforward, I kind of wondered what kind of man would be able to make that over-the-top action work without being a bland, cardboard-cutout of an action hero. So, here's what I came up with (Thanks to Sci-Fi channel for being the only people to actually give Flash a real first name; I mean, could you imagine your parents naming you 'Flash'? geez...)

Stephen Gordon is a man adrift. He is an average man, of average looks (pleasing but not handsome), with average intelligence, working at an average job. Stephen was quite the dreamer in high school and college- he dreamed of doing so many things, anything but getting that business degree (how boring! But it was the only thing is father would pay for). He wanted to be someone others looked up to, someone others wanted to emulate. He wanted to be a visionary, a superstar athlete, a man of letters and arts. He wanted to be it all.

Unfortunately, his short attention span often got in the way of his dreams; Stephen rarely followed through on any of his plans. This wouldn't be so bad, if not for the fact that he had a tendency to announce his plans to the world at large long before they ever came to fruition. This constant barrage of ideas and daydreams that burned brightly, but briefly, led to his nickname, “Flash”- short for “flash in the pan”, once folks got to know him.

Stephen used to have dreams of making a difference in the world. Once out of college and into the real world, however, there was no time and no place for him to make a difference. Reality got in the way.

All that has changed now. Thrust into a new reality beyond his wildest imaginings, Stephen Gordon realized that on the bizarre world of Mongo, he is finally free of the burdens and limitations of his past. For the first time in his life, he is truly free. He can finally live up to the ideal vision of himself he long ago abandoned. And perhaps, in the insane, impossible, dreamlike world of Mongo, he has finally found the place to make his dreams real.

Stephen Gordon is gone.

Long live Flash.

Music: "Bring Me to Life" - Evanescence

Thursday, December 27, 2007

Nobody's Hero


Welcome back from the Christmas break, those of you who decided to come back, and those of you who had no choice in the matter. Regardless, I hope everyone's holidays were nice and stress-free... or as stress-free as they can be.

Anyway, back to Mr. Gordon. Here's yet another attempt to draw a new version of Flash Gordon. This time, as you can probably tell, I went in a completely different direction. Yes, that's a pot belly. Why, you ask, does a world-famous pulp hero have a pot belly? All part of the plan...

I tried taking the costume in a different direction here, as well. I decided to ditch both the 'classic' look and the 'movie' look and try for something more futuristic. Hmmm... not overly-successful. Looks like he's wearing some kind of exercisewear. Ah well.

The woman is, ostensibly, Dale Arden, the female protagonist from the comics and movie. I was going for a more retro look with her, and for some reason she just reminds me of a 40's-era movie actress. *sigh*

Back to the drawing board.

Not much else to say for now. I'll be back Monday with the last post of the year, which probably won't be anything fancy, but we'll see what happens.

Later!

Music: "Star Wars (Disco Remix)" - Meco

Wednesday, December 19, 2007

The Hero Takes the Fall


Okay, so that first take on Flash just didn't work for me. This time around, I tried to go back to the source- Alex Raymond's original comic strip version of Flash Gordon. Raymond's comic strip pretty much defines our current idea of what "retro" sci-fi looks like- flying rockets with crazy fins, swords and lasers, damsels in skimpy outfits; it's all in his work. Raymond was a fantastic draftsman- but then, he came from a time when comics were not just about getting to the same tired punchlines, but told whole stories. Many comic book artists would later look back at Raymond's work on Flash as a big inspiration to their own style.

Anyway- here I tried to keep the same colors as the last one (and as in the movie), though I used blue for the pants in homage to Raymond's original character. This Flash is a bit more of the swashbuckler, with the looser top, gloves, and higher boots. Note the sci-fi ray gun.

Though I like this version, my ideas for what kind of story I was thinking about took me farther away from the retro-swashbuckler Flash Gordon. So, moving on...

In other news, nothing says holidays like running yourself ragged trying to buy gifts for everyone, make Christmas cards, and bake for the office party. And yet, it's all fun.
Also- new poll to the right. And, what the hell are you folks thinking? You actually LIKE reading the ramblings? well then... I'd best get back to writing my manifesto.

But not right now... I'm really freakin' tired right now...

Music: "The Raiders March" - John Williams

Sunday, December 16, 2007

Holding Out for a Hero, One




Remember way back when (the Monster Squad posts), I was talking about 'world-building'? Essentially, the idea of taking pre-existing characters and situations and putting your own spin on them? Well, far be it from me to limit my mental meanderings to just the biggies like Star Wars and Monster Squad. Here we have the first part of my quest to resurrect one of my favorite mediocre movies from the 80's, Flash Gordon.

I'm not going to go into all the gory details just yet- I'll save that for when we get there. But, to give you an idea of where I'm coming from, there was a lot about the original movie that I loved. The production design; the costumes; the sense of fun it brought to the character. And there was some stuff I didn't like. Though I enjoyed that it brought humor to it, there were plenty of times I felt like it was veering too far into camp. But, one thing I loved above all- the music. Whoever the hell came up with the idea of having Queen score the movie deserves an Oscar. Though the music is as crazy and fun as the best parts of the movie, I think it still holds up pretty well. Find a group of 30-somethings and say "FLASH!" to them and (provided they're not drunk) they'll probably shout back "AAAAAAaaaaHHHH!" because we've all either seen or heard the movie or song. Practically everyone's familiar with the damn song.

And there's the secret. That's how to remake the movie. Yep, the song. But more on that later.

Okay, the sketch. This was the first pass I took at the update of the movie; as you can see, it's pretty much just an updating of the original outfit. The red and black sleeveless shirt, long pants and boots. I added the piping to the shirt, fancified the boots, added gloves, and the lightning motif (the idea being that the outfit is probably taken from some guard of Ming's, or a soldier- "the Lightning Legion" or something like that). Even though the lightning bolt has nothing to do with the original incarnations of Flash Gordon (and is famously the symbol of a different Flash entirely), it's become pretty well-associated with the character due to the movie. This almost didn't make it up in color form, but I thought the colors were a fairly central component of this particular look.

Sorry there's not more today, and that the picture's not cleaned up like normal, but I've spent most of my Photoshop time this week working on my Christmas card (yes, I know what day it is; I can't help that my muse does not check her calendar). But, fortune favoring the foolish, I'll be back Tuesday with another picture. Later!

Music: "Jukebox Hero" - Foreigner